01 / THESIS
A surface without a fixed identity
Chrome has almost no colour of its own. It borrows from its environment, stretches it, fractures it and returns it unfamiliar. That unstable identity makes it distinctly contemporary: it exists through relationship.
Seen head-on, polished metal becomes graphic. From an angle, it turns into liquid architecture. Its power lies between object and image, mass and light, presence and disappearance.
IMAGE STUDY / 02
AURELIA FIELD NOTES / ARCHIVE
02 / AFTERIMAGE
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Designing the reflection
Working with chrome means composing everything around the object. Each white panel becomes a line and every dark zone becomes depth. The studio turns into an invisible landscape temporarily recorded by the surface.
We use the same logic in brand systems: create identities that can absorb radically different contexts while remaining unmistakably themselves.